Yoga Tip Tuesdays: Sage Balance II (Eka Pada Koundinyasana 2)

This week's yoga tip is a about a challenging arm-balancing posture, eka pada koundinyasana 2 (one-legged sage pose 2), EPK2 for short! This pose often follows Lizard Pose in more challenging vinyasa classes, and for those of you who are comfortable in Lizard and want to challenge yourselves a bit more, the preparatory steps towards EPK2 are a great way to explore your boundaries and push out of your comfort zone a little.

Before you start working on this pose, make sure that you have warmed up the hips, hamstrings and upper body. You'll need a nice strong chaturanga to take the full balance, but if you are still working on that, the preparatory postures are good at building strength, too!

Remember if you are just starting to work on this pose to take it easy! There's no rush. You may play with each step in the process for weeks or even months at a time. Take each challenge as it comes, be patient with yourself, and be consistent, and you will see results in time. As a guideline, you should aim to be able to hold each step comfortably for up to a minute before progressing to the next step.

Start by taking a long, deep Lizard Pose on each side to warm up. Then come back into Lizard pose on the first side.

• If you can get your elbows to the floor in Lizard, begin by walking your elbows back as far as you can. If you can't get your elbows quite there, then walk your hands back. Either way, you should end up with your arms in chaturanga.

• As you bring your arms into chaturanga, one arm will come into contact with the back of your leg (in the photos below, the left arm and left leg) and the weight of the leg will start to transfer to your upper arm. This contact point is really important so play around with it until it feels comfortable. As a general rule, you can't to get the contact point as high on your upper arm as you can. (2nd picture, below)

• Once you feel comfortable, begin to walk your front toes forward and out on a diagonal. You'll feel more of the weight of the leg transferring onto your upper arm. At this point stop and make sure your body is properly supported: squeeze your upper arms towards the midline and press strongly through the pads of the fingers, lift from the core (like in plank pose), and strongly engaging the back leg and heel.

• Now we're going to try and straighten the front leg. To support yourself in this half-balance, you'll need to drop into a strong chaturanga. At this point I find it helpful to turn my head and look towards my toes: this helps me focus my efforts on what I'm doing!

• Next, extend strongly through the front thigh and begin to straightening the front leg. Really think about lengthening, not about lifting: by virtue of extending, your toes will eventually lift off the ground.

• Once you can get the toes off, refine the posture: flex or "floint" the front toes, keep the back leg super-engaged, and see if you can come up onto tiptoes on the back foot. When you can get the back foot high, high on tiptoes, then you're ready to try the next stage.

• Think of the body as a seesaw, with your elbows as the centre. The easiest way to get the back toes up, is for the weight of your front body to move forward and down. So this critical stage is mostly about pivoting your weight forward until your back toes can't help but lift off. Keeping the front leg strongly engaged and extending will help you bring your weight forward without collapsing onto the mat.

• When you're just getting started with this pose, it can help to take tiny 'hops' to lift the toes off the ground. Keep in mind though that these hops should be really tiny and that the main "work" of this stage is shifting your weight forward enough so that the back leg becomes light. I also find that it really helps to turn your head to the side here. This eliminates any risk of nose-squash if something goes wrong and helps keep your focus on your front leg, which needs to stay really strongly extending through this step.

• Once you have a bit of lift-off,  keep the forward leg strongly engaged, keep squeezing in through the upper arms, and keep lifting from the core. It's hard work!!

• Over time, refine the pose by trying to find a more even distribution of weight, lifting the chest away from the floor, extending from the breastbone, and bringing your gaze forward.

• PS: I've included a picture of the other side here, because when I was first starting out with this pose I couldn't figure out what to do with my other arm. In fact when I first played with this pose, I used to cheat by sneaking that free elbow underneath my hip. I don't discourage this little 'cheat' if you are just trying to get a feel for the pose, but in the full pose the elbow is free and hugging strongly into your side. Squeeze as if your life depended on it!! (Note how you can really see that this is my weaker shoulder from the photos!)

I hope this was helpful! Readers, are there any poses that you'd like to see on this blog?

Quick Tip: How to check your knee alignment in Warrior II and similar poses

Knees are delicate joints, which is why yoga teachers tend to go on (and on!) about correctly aligning the knee in yoga poses. Unlike hips, which can move in many directions, knees are designed only to move in one direction. So when we do yoga poses, it's important to respect the way that knees are designed to move, otherwise we risk injuring this relatively delicate joint. Knees are hinge joints, designed to move on a single axis, just like the hinge of a door. And just like a hinge, they are especially vulnerable if you twist them away from that axis.

In standing poses where the knee is bent, correctly aligning the knee is especially important because the knee joint is bearing weight. In poses where the hips are facing forward, the body finds a safe alignment fairly naturally, just as it does every day when we walk or run. However, in poses such as Warrior II and extended angle pose (and Warrior I to a lesser extent), we put the body in an un-natural stance, with the pelvis facing sideways and the front foot facing forwards. When we then bend the knee, our body often comes out of its safe alignment, for a number of different reasons (stiffness in the hips, short adductor muscles, distraction…).

You'll often hear teachers cue "bring your knee over your ankle" to try and correct for this. But we all know that bringing the knee directly over the ankle in these poses can take years of practice! Instead, don't worry about how far forward your knee is: check the alignment of your knee by thinking about lining up two straight lines. The first (in pink) is a line that goes through the middle of your foot: approximately from the base of the second toe to the middle of the heel. The second (in blue) goes from your hip socket in the middle of the upper thigh to the middle of the kneecap. When those two axes are in line, you are good to go!

The pictures below hopefully makes it pretty clear. In 1) and 2) I've shown two common mis-alignments that I often see in class, just to help illustrate the point. 3) shows what it should look like.

(PS: You usually can't see your foot from standing in Warrior II, so lean forward to check your alignment, and then straighten up again).

My cat has recently been taking a renewed interest in disdainfully watching me do yoga, so you also get a bonus of some cute little cat feet off to the side!!

Yoga Tip Tuesdays: Lizard Pose

Happy new year! Yes, readers, I'm back at the blog. The final 3 months of last year for me were very intense work-wise, and blogging just didn't fit in. But now all that is behind me and I have lots of time for all things yoga - hurrah!

Now, we bloggers tend to start the new year with deep, reflective posts, but I'm going to skip that step and launch straight into a post requested by a reader a little while ago, on a lovely but challenging hip opener called Lizard Pose. Also, stay tuned for the sequel on how to use Lizard Pose as a starting point to work towards a challenging arm-balance: eka pada koundinyasana (sage pose) II.

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A little while ago, a reader contacted me through Facebook and asked for advice on modifying Lizard Pose. She commented: "My thigh can't seem to stay straight - it wants to poke out to the side. Then I am having problems with my shoulders. Even getting to where my shoulder is by my knee is troublesome."

First of all, from my perspective, it's totally OK for your front thigh to be angled outwards. After all, your femur sits side-on and forward of your hip joint, as shown in the picture below. As you can also see, this is more exaggerated in women than with men.

The way that the femur and the hip are aligned means that in forward-facing hip-openers (like Warrior I, lunge and lizard), you should always set up for the pose with the feet at least hip width apart on your mat. For women, aim for shoulder distance. This means that the right foot is to the right side of the midline, and the left foot is to the left side. This alone might alleviate any discomfort you're feeling by creating more space for the hip joint to move through.

Next, you can create even more space for the hips with one simple movement: turn your forward toes outward, towards the front corner of your mat. This reflects the natural alignment of the femur, so when you come deeper into the pose, bringing your hands to the mat, you should feel more spaciousness in the hip joint. You can walk your foot further out to the side to get even more room.

When you can comfortably hold the pose for 5 breaths with your palms flat on the mat, you can play with coming a bit deeper into the pose by bending your elbows. Another way to explore this pose is with the back knee on the ground. This takes some of the weight off the hip joint and can be a great variation for those with especially tight hamstrings.

Eventually you might place your elbows on a bolster, block, or on the floor. However remember that this pose is not about how far down you go. It's totally fine if your shoulders never go lower than your knee - as long as you are feeling a good stretch in your hips, glutes and hamstrings. Be respectful of your body: since hips are joints, there is no joy to be had in straining to push your limits. Rather, let go of your ego, breathe deeply and work on holding the pose longer while staying relaxed through the breath, allowing your body to slowly change old patterns of movement.

Lizard Pose is a big hip opener, so before coming into this pose, do some warm ups like hip circles, supine pigeon, and lunges. Enjoy!!

 

Readers, what are some poses you'd like to see featured on Yoga Tip Tuesdays? And yes, I know it's not Tuesday today, but whatever! ;) The name is catchy.